Prose Vs Poetry

I watched a sentence emerge the other day at the end of a series of ambivalent decisions. The pressure of decision-making, the tense inner conversation writers conduct when writing, may be more felt than conscious, but it is nonetheless real. Even as I am writing these very words I am debating with myself whether these are the very words I should be writing. Decisions don’t make themselves. Do I use a dash here – or nothing? And what about an adjective for color or to add nuance? One misplaced brick can bring the whole thing down. Poetry flourishes on the ruins.

From Guest Contributor Howie Good

Howie is a professor emeritus at SUNY New Paltz whose newest poetry book, The Dark, is available from Sacred Parasite, a Berlin-based publisher.

Corpus Delicti

Every day there’s a funeral – actually, several. You peer into the open casket and immediately regret it. I have that kind of face. There has just always been something about me that provokes people to anger and upset. “Hitler should come back and gas you!” they would yell, as if the very idea of me threatened them. An unknown caller once even left a series of gunshots on my voicemail. Now I’m being lifted off the bier and swiftly carried down the aisle and out the door. A desolate rain is falling. I don’t remember a time when it wasn’t.

From Guest Contributor Howie Good

Howie's newest book, Frowny Face, a synergistic mix of his prose poetry and handmade collages, is forthcoming from Redhawk Publications.

A Ladder To The Stars

For him the past was a story trove, for me it was a series of embarrassments that woke up and lingered like morning phlegm.

My brother tells another story on our porch. I notice how night falls earlier in mid-August. How the North Star rises off the horizon. How it calls me like a conjurer in an epic fantasy.

My brother will stay in this town and rise. He’ll talk about how the band played Forever Young at his graduation and he knew he was destined. But who will tell the story of that morning when I woke and wandered?

From Guest Contributor Dave Nash

The Death And Life Of The Avant-Garde

When Franz K. was taken off the train in the middle of the night, he came to on a street of futuristic glass towers that, from an architectural perspective, were already passé. “What are those buildings?” he asked his keeper, a tall, thin, priestly figure who emanated an aura of gentle authority. “You’ll find out,” the keeper said, smiling. He never did. By the time the sun rose, he was tied to a post, watching in terror the firing squad assemble. It was sort of like avant-garde cinema where a series of incidents doesn’t necessarily add up to a plot.

From Guest Contributor Howie Good

Howie Good is the author of more than a dozen poetry collections, including most recently Gunmetal Sky (Thirty West Publishing) and The Bad News First (Kung Fu Treachery Press).

The Golden Thread Part Two

“What is that? I can’t see. Some sweet jungle flower. Are we getting close?"

"No, it is poetry, a copycat fragrance to lure butterflies. It is carnivorous. Stay back—"

"Those are my words on the vines! God, those electric blue letters! Let’s read—"

"Don’t—"

“Why? 'Once upon a time I died. I crucified myself on a ladder made from the bones of birds, hollow, not yet cleaned by cannibals or the sun, yet flightworthy by nature.' I wrote that."

“The vines will strangle you, make you blind, make you forget why you are here. And then you drop the thread."

From Guest Contributor Brook Bhagat

Brook’s poetry, fiction, non-fiction, and humor have appeared in Empty Mirror Magazine, Little India, Dămfīno, Nowhere Poetry, Rat's Ass Review, Peacock Journal, A Story in 100 Words, Anthem: A Tribute to Leonard Cohen, and other journals and anthologies, and are forthcoming in MoonPark Review and Almagre. She has completed a full-length poetry manuscript, is writing a novel, and is editor-in-chief of Blue Planet Journal. She holds an MFA from Lindenwood University and teaches creative writing at a community college. More at brook-bhagat.com

Cars And Cradles

The drive was rocky. Hanging out of the window of the car speeding past pine trees, barely clinging to the edge of a degrading dirt road, she felt free. Sitting on the edge of her seat, she stuck her hand out the window and played with the wind whipping past her fingers. Up and down up and down her hand went. As the road got rougher she tightened her seat belt, the last vestibule of safety in a spiraling series of events. She tucked herself in as if waiting for the kiss that never came, that hug that never happened.

From Guest Contributor Noah Bello