Yesterday Once More

Dr. Billows pressed Go on his time machine. Inside the vessel nothing happened. But through the window, everything in his lab stretched and distorted into a brilliant mixture of light and darkness, indicating he was tunneling into space time. His calculations had been correct, at least the first part.

As quickly as the journey began, it ended. After checking the console and confirming the date at his destination, he unsealed the hatch.

He emerged into his laboratory exactly one day earlier. Confronted with his past self, he told himself not to ask Dr. Morgan on a date later that night.

Note To Self

I recognized the helmet on the unearthed body as the same customized gear hidden in my private lab. The ancient, scarred face underneath it, not so much. The damage was far too extensive. Even so, I knew.

Words scratched into the metal plate the body clutched remained legible: “Do not activate.” It didn’t specify what, but I knew that, too.

If I press that button in my lab a portal will open to the past. I had decided against the risk.

But now I must do it. I need to find out what could cause me to write that warning.

From Guest Contributor Sean MacKendrick

Loss Of Self

I shouldn’t have fallen for the marketing (“You’re never alone with a clone!”), but I did. I saved up, sent my DNA sample to PeopleMakers, and a week later there was a knock on the door. He was perfect: sympathetic, interested in all my hobbies, and with all my tastes in clothes and women and jokes.

When I couldn’t afford to renew the subscription, though, he walked out of my life just as easily and quietly as he’d arrived, leaving me alone and even more achingly aware of what I didn’t have. Where am I now when I need me?

From Guest Contributor Alastair Millar

Alastair is an archaeologist by training, a translator by trade, and a nerd by nature. His published flash and micro fiction can be found here and he lurks on Twitter @skriptorium.

Lovers And Leaves

Staring out through a grove of trees, mouths moaning as swirls of dark browns cover the bright yellows and vibrant orange of autumn leaves, whispering to the fields of dying long grass.

The artist found his place and began to paint. Hours turned into days, joyously becoming lost in the thoughts of his one true love.

When the artist's trance ended, he was perplexed by the ghostly image of his lover in a pink dress, his heart in her hands and his love-lorn self standing beside her.

Behind them, the fields were a sea of violet flowers in violent bloom.

From Guest Contributor J. Iner Souster

The Portrait

The Duke of Westland stared down from his portrait. Walter studied the painting, admiring the duke’s powdered wig and frilled cravat.

Walter’s eyes widened as the duke stepped out of the gilded frame and strode towards him, extending a bejeweled hand. Walter grasped the duke’s icy palm and noticed that the lavish rings now adorned his own fingers. Puzzled, he looked up and met his own gaze. His other self winked, turned, and left the room.

Walter called out and raised his hands but his glittering rings thrashed against the inside of the canvas, causing his powdered wig to slip.

From Guest Contributor Cate Vance

Cate Vance writes from the mountains of Montana where she is inspired by misty mornings, brilliant days, and starry nights. Her short fiction has been featured in Sky Island Journal.

Echoes And Reflections

It follows me everywhere, the inaudible predator. Fixated upon a daily routine, mocking every subtle maneuver that I made. The thing glissades in a deriding dance upon my every step. A replicant of form cast under the luminosity of ever radiant sun.

Signified in our sinister, daily reflections. An entity of faux similarity and duplication. In such replication a truer self and profound verity obtained. Co-conspiring and willingness etched upon that imitation smile. The backdrop of the unstained silhouette and persona versus my tainted hand. A cheering entourage as the blade is always in my hand painted with crimson delight.

From Guest Contributor Brett Dyer

Leading The Formation

I was the second-best dancer then. Mariza, with her long black hair waving down the front of a white cotton shirt, tucked into just-right faded jeans, controlled all of nature’s choreography within her. Her feet skimmed the floor, easy on the beat. Her arms and legs flexed to the rhythm, finding a kind of body paradise. But following her movements, memorizing and imitating, I became frustrated and discouraged. Until I realized I wasn’t destined to be a mirror. I would guide the expression of music I felt, becoming the lead dancer on that thin ledge, possessing my true 13-year-old self.From Guest Contributor Yvonne Morris

Yvonne is the author of the poetry chapbook Mother was a Sweater Girl (The Heartland Review Press). She has poetry and fiction forthcoming in Cathexis Northwest Press and Drunk Monkeys.