Art History

A stranger walked up to me on the street and said with a quaver, “I am completely overwhelmed.” He was wearing a black raincoat that reached down below his knees. Wait, I thought, it’s not raining. When we’re dead, it’ll be a whole different story. Cosimo de Medici once complained to Michelangelo, “That sculpture doesn’t look like me.” “Listen,” Michelangelo told him, “you’ll be dead in 20 years, this will be around for 2,000 years. So that’s what you look like!” And now, even though it’s nighttime all over the world, there are pictures on fridges and music in elevators.

From Guest Contributor Howie Good

Howie is the author of more than a dozen poetry collections, including most recently Gunmetal Sky (Thirty West Publishing) and The Bad News First (Kung Fu Treachery Press).

The Look Of Things

We were invited to a silent room filled with melting glaciers. I just stood there, part of the system, but vulnerable in a way peculiar to men who are naked except for their socks and shoes. I’m constantly creating problems that never even existed. I have to walk really, really carefully or there’ll be more cats than people around. After we’re dead, it’s another story: Cosimo de Medici once complained to Michelangelo, “That sculpture doesn’t look like me.” “Listen,” Michelangelo said, “you’ll be dead in 20 years, this will be around for 2,000 years. So, that’s what you look like!”

From Guest Contributor Howie Good

Howie is the author most recently of Spooky Action at a Distance from Analog Submission Press.

Forgiveness

She walked along the deserted beach, cold wet sand hard underfoot, leaving her well-formed arch, her heavy heel dug-in tight, her human track. She scanned the choppy grey ocean, a seagull skimming along ready to dive. Looking ahead, an outcropping of massive black boulders stumbled together into a makeshift Henry Moore sculpture. The solid blocks of granite, columnar or reclining, soft-edged or angular, were reminiscent of her mother. The stoic strength, the impermeability, the dense solid weight of judgement. She had framed her adult life accordingly, with a negative imperative: I will not be like my mother.​

From Guest Contributor Holiday Goldfarb