A Story In
100 Words
Literature in Tiny Bursts.
You are invited to the wonderful world of microfiction. Whether you’re a reader, a writer, or one of our future robot overlords, welcome! A Story In 100 Words is a community of literature enthusiasts no matter the length, but we have a special predilection for narratives exactly 100 words in length.
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Blessed Curse
Near dawn a rooster crowed.
“Mary died,” the midwife said, “I couldn’t save her, but you have been blessed with a baby boy.”
John pounded the table with his fist and with a heave, overturned it. The cup and saucer clattered to the floor while the wails and cries of an infant traveled from the other side of a closed door.
“God why did you take her?” he keened.
The midwife returned from the other room and placed the tiny child into his arms.
John prayed the baby would die. His life would be worthless without Mary. Damn the child.
From Guest Contributor Catherine Shields
Voodoo Graffiti
The night the lake turned purple, I was on the phone for three hours, fighting with my brother. He was dissing Grandpa's old white Ambassador which I'd inherited. Afterwards, I switched off my phone and shut myself up in my room. That's how I missed our town's first miracle.
Three days, one strangled rooster, a lungful of incense and a migraine later, I had succeeded in turning his BMW bright yellow. His scream of fury echoed across town. I sniggered and came out for coffee.
By then, the whole world had turned purple. Including Grandpa's car.
Still, better than yellow.
From Guest Contributor Aparna Nandakumar
Aparna lives in Calicut, India, and writes poems and short stories. Her work is forthcoming in The Atticus Review and Cafe Dissensus.
Listing Fear: How to Tell You That I Want
If the bear sits next to the wombat, and a stinkbug bats his lashless eyes at some roundness near a deer, how do I tell you about longing? The robin is silent, the rooster’s belly is a curve under fog, and I am too timid to explain what I want. If the same bear drops his fat genitals onto the pond, water too still, no one wants to look. Your patience is a woman with her voice down low, as if lined in wet fur. And this? This is me practicing, wide-eyed, my mouth a dusty O, palms spilling candy.
From Guest Contributor, Kelli Allen
Kelli Allen’s work has appeared in numerous journals and anthologies in the US and internationally. She served as Managing Editor of Natural Bridge and holds an MFA from the University of Missouri. She is currently a Professor of English and Creative Writing at Lindenwood University. Allen gives readings and teaches workshops throughout the US. Her full-length poetry collection, Otherwise, Soft White Ash, from John Gosslee Books (2012) was nominated for the Pulitzer Prize.
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