The Lost Notebook

I looked for it everywhere I could think to look. Under chairs and beds. In the clutter on the kitchen counter. Behind cushions. No luck. I’ve lost my notebook or had it stolen. The notebook is nothing fancy, a simple assignment pad like the ones we used in school. But I might as well have lost my soul. The notebook contains notes for poems and explosions. I’ve been unable to proceed without it. Words won’t obey like they once did. I’m a mirror without glass, a rocket ship without blastoff, a donor heart without a box to put it in.From Guest Contributor Howie Good

Howie's latest poetry collection, True Crime, is scheduled to be published by Sacred Parasite in early 2026.

The Jigsaw Man

He would have been handsome if it weren’t for the cheeks left pitted by adolescent acne. In what seemed an attempt to distract from the scars, he dressed with obvious expense. He also carried a small black satchel everywhere. There was talk that under another name he had once been a backstreet abortionist or a doctor in a concentration camp. When he died and the satchel was opened, it was found to contain a ski mask such as stickup men wear, a Florida orange, and a book of 105 poems, all of them about the death of the poet’s child.

From Guest Contributor Howie Good

Howie's most recent poetry collection is Gunmetal Sky, available from Thirty West Publishing.

Hurt

“We’re joined today by the great Cuban émigré slugger Robinson Falco Villegas, Jr.”

“Hola.”

“Robby, rather than talk about your recent injury, why don’t you tell us why you and your father were named after Jackie Robinson?”

“I wasn’t named after him. I was named after the great irascible poet, Robinson Jeffers. I learned English so I could read his poems.”

“I didn’t know that. Can you quote your favorite lines?”

“I’d prefer to paraphrase.”

“If it makes you more comfortable, go right ahead.”

“Are you sure?”

“Yes, go for it.”

“Were it not for penalties, you’d be dead now.”

From Guest Contributor Clyde Liffey

Salt Of The Earth

Ian sits supping his pint, jotting down some verses in his notebook, his Sylvia Plath’s Collected Poems at his side.

A mother and two twenty-something daughters take the next table. The menfolk, the husband and the boyfriends, arrive with the drinks.

They notice him briefly and he senses the usual smirks and rolling eyes.

But he’s soon forgotten as they immerse themselves in their hearty little world.

The men have large practical hands. Eavesdropping, Ian learns that the daughters are in sales and retail, respectively.

‘Salt of the earth’ he thinks sardonically, thanking God for poets and tortured souls everywhere.

From Guest Contributor Ian Fletcher

Public Poems Built On Public Property

Public poems built on public property are, as they say, asking for it. When you use such flimsy bread, eating away at holy Wonder until such thinly-sliced letters remain, every one meant to be swallowed, not whispered; when you hold them down with found rocks in a stream that is not a stream, just a concrete ditch void of the hand of God; when you slip out the window in the night like a Sufi thief or an idiot child, praying the wrong way, dancing naked, licking vowels in your own nonsense languagedon’t expect to get anythingexceptarrested.

From Guest Contributor Brook Bhagat

After graduating with a BA in English from Vassar College, Brook Bhagat landed her first paid writing job as a reporter for a small-town Colorado newspaper. She left it to travel to India, where she fell in love, got married and canceled her ticket home. She and her husband Gaurav write freelance articles for dozens of publications, including Outpost, Ecoworld, and Little India. In 2013, they launched www.BluePlanetJournal.com, which she edits and writes for. She also teaches writing at a community college, is earning her MFA in Writing at Lindenwood University, and is writing a novel.