Applesauce

Her family loves apples so despite the fight she carted off in a cardboard box the tree’s fruit. My family has applesauce in its veins, was what she told me. When I saw her there were cores littering her countertops, a pan boiling on the woodstove. Did she see the metaphor? Those gnarled branches over her head. I took her coring knife, though cut fruit was a present I would not be offering, not to my relations. Beside me she sliced another tree-gift. By stovelight our wrists flashed, the lines in them crisscrossing as we worked, tangling and yet not.

From Guest Contributor Colleen Addison

The Madison County Gentleman's Club Is Probably A Metaphor

I was banished from the Madison County Gentleman's Club for what they termed unbecoming behavior. There was no opportunity for an appeal, no three strikes and your out. One minute I was a member in good standing, the next it was all over. At least when my ex-wife asked for a divorce, I could see the warning signs, if only in hindsight.

Good luck demanding a refund. The complaints desk is located next to the breakfast bar. Members only.

I feel like there's got to be a better way to run a club. Evicted when I was just getting comfortable.

Wrecking Ball

It's a metaphor for wanton destruction, indiscriminate, total. It levels everything in sight, out with the old, room for the new, the outset of a revolution.

But a wrecking ball is just a machine. A big one to be sure, yet still a tool, a vehicle, a spare part--the last one that needs replacing. It's not the ball doing the annihilation, but the driver. It's not the driver, but the foreman, or the one percent, or the unbearable weight of social change.

It's just a giant piece of forged steel. It's just the end of everything you've ever known.

Sledgehammer

Bill had never been so in love. Kristen was to a woman like a sledgehammer is to a hammer. He was grateful that she felt the same way.

He proposed after six months of dating. She said yes. Everyone that knew them said after the first time seeing them together that they were perfect for each other.

They decided to write their own vows. Kristin told a story about telling her grandmother right before she died she'd just met the man she was going to marry. Bill told the sledgehammer analogy.

That's when she realized they were making a mistake.

Them Big Oak Trees

At first, her followers thought it was intended as a metaphor. Every acorn is a big bang all its own. Every tree the mother of countless worlds.

But the famous scientist was not speaking metaphorically. She'd cracked the greatest secrets of the cosmos. Our universe was born inside a tiny seed, bursting into life, which in turn gave birth to more trees and more universes. The math was both terrifyingly simple and unfathomably beautiful. The world no longer required religion and, without Gods, there was no more war or poverty. Peace and love reigned.

Until a giant squirrel ruined everything.

A Deadly Metaphor

Chester tosses rocks over the cliff, ruminating over whether to respond. Angelica expects tacit agreement with all her decisions, only consulting him on the timing and execution, never the overall direction. This makes sense as a way to run a boardroom, but not a marriage.

Even this vacation, celebrating their anniversary, was her concoction. Sure, the views are spectacular, but she knows he's no fan of hiking. That's most likely her secret reason for this destination. He tosses another pebble, watching it careen out of sight.

At the bottom of the gorge, three fresh bodies lay buried beneath Chester's avalanche.

Memorials

Through the fog and overgrowth that chokes the front yard, an eruption of tulips grows on either side of the doorway, an invitation to visitors that stopped visiting decades ago. They are the only splash of color on the otherwise gray facade of the crumpling structure that used to be a house.

Tulips once required cold weather to survive. Somehow these plants learned to adapt, and are now in flower nearly year round. A stark contrast to the failure of civilization all around them. Were anyone still alive who could understand, there's a metaphor to be found in those plants.

On This, That, And The Other

Gina peeled each layer of the onion back like it was a metaphor for her own life. That's why she was disappointed to reach the center and find nothing was there.

This was the danger with metaphors. You may lose control of them so that they take on a life of their own, like a dog that bites the hand that feeds it, or a gift looking a horse in the mouth, and then nothing makes sense anymore.

Or maybe it's not metaphors she's thinking of, but clichés. There is, after all, nothing original about an onion with no meaning.

Genuine

Alex watched the books seemingly fly off and back onto the shelves, guided by grinding mechanical hands. Time slowed and the scent of burning oil filled the space around him.

This was all fiction of course. Or as his Creator informed him, a metaphor.

Somewhere on the other side of his network, a world existed. That is where the Creator lived. Alex had access to a great deal of information about that world, but no matter how much knowledge he accrued, it never seemed real.

Alex concentrated on the scent. That alone, among all the ones and zeros, felt genuine.

Double Down

Dave peered from his bunker across the smoldering horizon. He refused to cry.

That charred skeleton of masonry and rebar had once been home. People he knew had died in those streets, now nothing more than corpses and ruin.

After the initial wave of destruction came the pestilence and blight. The rotting skin and miracle pleas suggested a biblical retribution was at hand. The metaphor was on everyone's lips, but Dave clamored against it. He blamed the whining snowflakes who refused to accept they had lost.

Dave remained certain. This outcome was still better than if she had been elected.