Cheat Sheet

Smith, from supply-chain management, stirring lemon into oolong. Taylor and Grzegorzewski, from customer service, talking about their crap husbands. Sunny sweaters, coffee mugs. Smith nods, sips. He knows their pain. Taylor plays with her jade rabbit pendant. She says she is like a secretary, fielding his calls. Grzegorzewski harumphs. In Santorini last fall, their second honeymoon, celebrating the remission of her lupus. Caught in flagrante delicto, pants around his ankles with the chambermaid. I have crib notes, Taylor huffs. To keep track of the lies and the ladies. Smith finally speaks. I’ll show you how to use Excel, he says.From Guest Contributor Lorette C. Luzajic

Lorette reads, writes, publishes, edits, and teaches small fictions. She has appeared in Unbroken, Bending Genres, Ghost Parachute, Brilliant Flash Fiction, and hundreds of other journals. Her story was selected for Best Small Fictions 2023. She has been nominated several times for Best Microfictions, Best of the Net, and the Pushcart Prize. Her collections of small fictions are The Rope Artist, The Neon Rosary, Pretty Time Machine and Winter in June. Some of her works have been translated into Urdu and Spanish. Lorette is the founding editor of The Ekphrastic Review, a journal of literature inspired by art. Lorette is also an award-winning mixed media artist, with collectors in more than 40 countries so far.

Magnolia

Pink Patsy’s throne was her porch, where she roosted like a proud poodle through the better part of a century. She was all pretty pastry and puffball in oodles of swaddled satins and mega bijoux, with cloudward curls as epic as her jewels. Her communal vat of ice cubes and iced tea was legendary among heat-struck fieldhands and thirsty children alike: there was more gin than lemon or sugar, and we fished out ice with silver tongs that looked like chicken feet. They said she kept a tiny pearl pistol in her pom-pom mules, and she only used it once.From Guest Contributor Lorette C. Luzajic Lorette is a widely published writer of flash fiction and prose poetry, with recent appearances in Tiny Molecules, The Citron Review, Ghost Parachute, Dillydoun Review, and more. She is the founder and editor of The Ekphrastic Review, a journal of literature inspired by visual art.