Apocalyptically Yours

It was the end of the American Century, and as if at a secret signal, the streets suddenly filled up with dancing grannies. I looked in their doll-like painted faces for an explanation. What I saw instead were suicide nets, abortions by wire coat hanger, piles of broken bricks. Life in our little town was becoming more and more like life elsewhere – a movie trailer for the Apocalypse. I would shake my head in an attempt to get rid of the eerie images, but every morning children would once again be walking past the slaughterhouse on their way to school. From Guest Contributor Howie Good

Howie is the author of Failed Haiku, a poetry collection that is the co-winner of the 2021 Grey Book Press Chapbook Contest and scheduled for publication in summer 2022.

Mother

I try on names for mythical mother. Mother. Mama. Mom. They hold their own weight. Mother, formal, yet beautiful. Mama, the moon, wistful and luminous. Mom is too plain.

Daddy tells me to stop with the mother stuff. Focus on what I have. He stayed to keep me safe.

But he never loves. Never smiles.

I conjure images. From ten years ago. Maybe they’re dreams. A silhouette. A lavender dress, a temper. Perfume. Words of love, fleeting.

Dad’s all beards and beer. Orders, no words of love.

Love doesn’t pay bills.

I keep trying on names, wishing. I can’t stop.

From Guest Contributor Yash Seyedbagheri

Yash is a graduate of Colorado State University's MFA program in fiction. A recipient of two Honorable Mentions from Glimmer Train, he has had work nominated for a Pushcart Award and The Best Small Fictions. Yash's work is forthcoming or has been published in journals such as Unstamatic, Door Is A Jar Magazine, Maudlin House, and Ariel Chart.

The Sound Of What’s Coming

There was a guillotine in the basement. People in the surrounding buildings reacted by hurling rocks and bottles. The whole thing felt suspicious, like someone was trying to send me a message. So I started cutting out images of crashes and mass shootings from the newspaper and transferring them onto the surface of prison-issued soaps. Then I figured out a way to do that onto the prison sheets. The residue that accumulated on the floor and walls took on a life of its own. Now what do we do? The window provides enough natural light to keep the snake alive.

From Guest Contributor Howie Good

Miracles

Steve wasn't one to believe in miracles. He understood too well the depravities of the human heart. More often than not he was victim to the world's machinations. That's how fate had led him to the streets.

So when the woman offered a hot meal, he expected some sort of catch, likely in the form of a lengthy sermon. When she offered a warm bed, he called to mind images of harvested organs and sexual servitude. When she claimed through phony tears to be his mother, he fled at the first opportunity, certain it was another conspiracy plotting against him.

Ireland's Descent

Niamh clambered down the rocks, grasping grass to ensure balance. Her eyes widened with adoration each time she peered over her shoulder espying tides crashing carelessly against bustling coral. To others it was an empty beach clinging to the base of Irish pastures, but to Niamh her struggle over the roughened pebbles opened the gates of Eden.

Her lens captured what she saw; pulsating amber beasts clinging to years of compressed life, silvery fish darting around with grand families and crabs working hard, hunting. Emerald weeds flowed through natural pools capturing the life of the sun. Images she trapped forever.

From Guest Contributor Kerry Kelly

Give Me Words, Paint Me Colours

“Tell me words that describe your universe,” she begs, “give me images for what I can't see.”

“How? Your eyes only detect thirty-eight colours; I count them in thousands.”

She shakes her head and bends to kiss my hands. She knows I don’t have them, but she’s happy with the illusion. It’s another truth she searches for.

“Let me share your reality.”

Not a chance, I think, but I can’t force myself to say it. “I’ll try, human.”

For the sake of our impossible love, for that morning when your world remained silent, for the memory of a destroyed planet.

From Guest Contributor Russell Hemmell

Russell is an alien from Mintaka snuggled into a (consenting) human host. Recent fiction on Gone Lawn, Not One of Us, Typehouse Literary Journal, and elsewhere.

Her Nebulae

Space lover, every other morning she flips through iridescent images of interstellar clouds. Those nebulae are hers. She has collected many - Crabs and Orions, even Eagle's pillars.

Today the Eye of Helix is just coming out on her thigh - fine web of filaments, embedded in a red and slate-blue oval. An older mark on upper arm begins transitioning from purple to the shades of yellow and green. She promises herself to find its alien soulmate tomorrow. Now she must go, and she packs her school bag void with hope. The regions of bright nebulosity are safely hidden under shapeless uniform.From Guest Contributor Natalia Kay

Pollution

My pager summons me to the Master Observation Analysis Lab (MOAL).

Based on the theory telescopes will see pollution in the atmosphere of planets which have, or had, industrial life as we might know it, MOAL is analysing photographic images of planetary atmospheres.

Initially we agreed upon three levels of pollution, Minimal, Moderate, High, which are yet to be calibrated into sub-levels.

“We've found the very first planet with measurable readings and in the High zone,” calls the Manager to me excitedly. “We need you to verify.”

“Wow! Fantastic! How many light years away?”

“It’s in our own solar system!”

From Guest Contributor Barry O'Farrell

Barry is an actor living in Brisbane, Australia. Barry's other stories can be found on Cyclamens & Swords, 50 Word Stories and of course here at A Story In 100 Words.