A Funeral Of Crows

The crows gather from miles around, blanketing the sky in a murderous patchwork of feathers and claws. The cacophony sends shivers in every direction, and the people wonder what calamity is portended. Something primeval is at work.

Lena watches from the balcony, wondering why the grownups are so frightened. Can't they see the crows are simply giving voice to their sadness, just like Daddy does when he's had too much to drink? Perhaps grown-ups run out of pity when they reach a certain age. They've learned their emotions are only worth sharing when you get something you want in return.

The Lilith Bird

He was tempted by her cardinal blouson and red pout, by the slippy-strap escaping down her arm, showing she was a little disheveled. She was unadorned, but her fangs flickered gold in the glow of candles and broken mirrors. He imagined the impossible, undressing her in his world, how he would unravel in her beautiful feathers. But he knew her kind, how she could only take and not be taken. She would ravish him in a few ecstatic moments and leave his husk in a heap of satin sheets, while she licked the last drops of blood from her claws. From Guest Contributor Lorette C. Luzajic

Lorette reads, writes, publishes, edits, and teaches small fictions. Her work has appeared in hundreds of journals and a dozen anthologies. She was selected for Best Small Fictions 2023. She has been nominated several times for Best Microfictions, Best of the Net, and the Pushcart Prize, and shortlisted for Bath Flash Fiction and The Lascaux Review flash prizes. Her collections of small fictions are The Rope Artist, The Neon Rosary, Pretty Time Machine and Winter in June. A collection of her work has also been translated into Urdu by Saad Ali. Lorette is the founding editor of The Ekphrastic Review, a journal of literature inspired by art. Lorette is also an award-winning mixed media artist, with collectors in more than 40 countries so far.

Sparks

I lit a fire in the garden brazier and threw in all my notebooks. If books are shut they burn slowly but if you fan them out they may catch; soon the blaze was roaring sparks up into the arms of Orion, poised with his great stellar fire-blanket. Passport, driving licence, certificates: orange heat, a feeling of rage and an aftertaste of rubber and almonds. Then I jumped, arms turning into wings, I took the fire into myself. Then I was the stars, then I knew, I was the burning. Singed feathers, and now I could be the morning mist.

From Guest Contributor Geoff Sawers

Platero And I - Louisette

The girl next door—I keep forgetting her name—just came by, Platero. She'd found an injured woodcock.

The bird was in bad shape, covered in blood, breathing weakly and blinking irregularly.

“She's going to be fine, isn’t she, mister (she keeps forgetting my name)”, she asked.

Despite her tender age, she may have suspected that the animal endured excruciating pain and that release from suffering proved to be the only possible act of mercy.

“I gave her a nice name. Louisette.”

I'm glad you didn't witness it, dear Platero, even though now you're sniffing the fluttered and sticky feathers.

From Guest Contributor Hervé Suys

Hervé (°1968 – Ronse, Belgium) started writing short stories whilst recovering from a sports injury and he hasn’t stopped since. Generally he writes them hatless and barefooted.

In The Memory Of A Thought To Be

Vernon took his knife and silently pulled it from the tree bark. With a shriek, the first crow flew from the hollow, resting on the ragged grass. Its feathers ruffled, and its face pinched.

Vernon's skull pushed itself upward, bursting through his skin, and making a nest in the now-vacant cavity. Vernon's eyes fell upon the recess within, creating a rotted root system.

He could not believe in any of those things.

Vines sunk from branches covering the ground, winding around tree trunks and breaking them apart. The crow's mouth yawned open, tearing at Vernon's thoughts with claws and teeth.From Guest Contributor J. Iner Souster

Along The River

Tawny wings tail the Arkansas and their shadows brush Russian olive. A hoo! drifts along begging recognition. Drowning the scuttle of waves, a quavering reply invites determination. Feathers ripple towards cottonwoods, nudging the fading sunlight across leaves and between branches. He allows a hoot to stray ahead asking for her to answer with a wandering whistle. The night approaches with a dimming silence that hushes happenings of the day and offers silhouettes. Moonlight shifts over a hollow as a frayed figure sails with unfurled wings. They settle below the canopy and dust bark with steadied feathers, ceasing flight for tonight.

From Guest Contributor Kristi Kerico

Kristi is a psychology major at Pikes Peak Community College. She is studying to become a horticultural therapist. She currently works at a bookstore and volunteers at a zoo and nature center. She began writing after enrolling in a creative writing course at PPCC. She enjoys poetry the most, considering it's brief yet complex beauty. She also loves writing with a focus on nature.

Heart On Ice

I was driving like I always do, as if I were transporting a heart packed in ice for a patient in imminent danger of dying, when outside Springfield, Mass., a bird that was also in an exceptional hurry crashed into my windshield with the boom of a gunshot, startling me about as bad as I’ve ever been startled, but the strangest part was that there were no cracks in the glass, no blood splatter, no feathers caught in the wipers, nothing to see, just the greasy crayon colors of dusk smeared all around and the cold stretch of road ahead.

From Guest Contributor Howie Good

Howie is the author most recently of Stick Figure Opera: 99 100-word Prose Poems from Cajun Mutt Press. He co-edits the online journals Unbroken and UnLost.

Eight Maids a-Yelping

“What’s a milkmaid to do? The only thing bovine hereabouts is the Silly Cow who owns the place. During the first seven days of Christmas, she let her true love convert her manor house into an aviary.”

“Tell me about it! I’m a housemaid, but I don’t do windows and I don’t do guano.”

A barefoot parlor maid lamented, “Look at my bloody feet after half a dozen geese pecked my corns.”

The other five recently-hired maids commiserated with them.

“Let’s tar and feather the harpy. We can substitute pine pitch, in a pinch, and there’s no shortage of feathers.”

From Guest Contributor John H. Dromey

John’s short fiction has appeared in Mystery Weekly Magazine, Stupefying Stories Showcase, Thriller Magazine, Unfit Magazine, and elsewhere.

Junk

There’s so much still to suffer that even tediously waiting for a train that’s hours late would be a grateful interruption. People are digging in the burning soil with bare hands. My wife’s there. My mother, too. I was going to join them, but now I can’t. It’s as if I’ve become, without my consent, a junk collector. Strange items keep appearing outside the door: a pamphlet, “Human Beings against Music”; rusted bedsprings; a bundle of pencils with broken points; feathers from random birds. Someday, I suppose, children will ask me, “What was it like, the end of the owls?”

From Guest Contributor Howie Good

The Raven And The Crow

The raven saw the crow perched on the church spire in the middle of town and demanded he make himself scarce.

"I'm the king of the birds and I deserve the best roost."

The crow scoffed. "I don't think so."

The raven puffed up his feathers and flapped his wings threateningly, but the crow was unimpressed. As they were almost exactly the same size, it was unclear who would win in a fight.

"You're a crow, no different than me. Just because one time a woman mistook you for a raven doesn't mean you're better than the rest of us."