Tourist In My Own Mouth

I’m inside my own mouth, seeing what the dentist sees. I’m awed by the whiteness of my teeth – their lingual surfaces, anyway. I don’t notice the tongue, any more than a carpet under my feet. The teeth are like panels of marble. But they have labels on them, which seem to be just A4 sheets printed out and laminated, as we might stick up temporarily on an office door. Some of them seem to be self-praise for fillings and crowns: “Great Job!” and “Fabulous!” But there is criticism as well: “Lousy cap that she got in Italy in the 1990s.”

From Guest Contributor Cheryl Caesar

Cheryl lived in Paris, Tuscany and Sligo for 25 years; she earned her doctorate in comparative literature at the Sorbonne and taught literature and phonetics. She now teaches writing at Michigan State University. Last year she published over a hundred poems in the U.S., Germany, India, Bangladesh, Yemen and Zimbabwe, and won third prize in the Singapore Poetry Contest for her poem on global warming. Her chapbook Flatman: Poems of Protest in the Trump Era is now available from Amazon and Goodreads.

Ontological Question Within A Dream

I know I am asleep. I am floating, cruising through an old neighborhood. I recognize every detail of the houses and the trees. Perhaps I am just exploring the deepest, untouched basement spaces of my memory, where everything is stored? I float by an antique shop. The elderly owner, opening it up, looks at me. Now I muse: am I experiencing astral projection within my dream? I float by a little boy in black: going to a funeral? He is snagged on my floating robes, which are also black. I wonder: is this how one becomes, all unknowing, a witch?

From Guest Contributor Cheryl Caesar

Cheryl lived in Paris, Tuscany and Sligo for 25 years; she earned her doctorate in comparative literature at the Sorbonne and taught literature and phonetics. She now teaches writing at Michigan State University. Last year she published over a hundred poems in the U.S., Germany, India, Bangladesh, Yemen and Zimbabwe, and won third prize in the Singapore Poetry Contest for her poem on global warming. Her chapbook Flatman: Poems of Protest in the Trump Era is now available from Amazon and Goodreads.

The Short-Lived Joys Of Youth

When I married at eighteen,a friend gave us The Joy of Cooking.My husband, nineteen, turned every page,looked at every recipe, writing, “Yes!” “Try!”or (for his mother’s recipes) “No!”Never thinking of actually cooking something himself.I wasn’t sure whether to be annoyed or flattered,but the marriage lasted about a year.

When I married at fifty-one,we compared copies of The Joy of Cooking.My husband’s was in better repair,so we gave mine to Goodwill.He likes cooking, so he does it. I wash the dishes.It’s been nine years now. We are still married.

From Guest Contributor Cheryl L. Caesar

Cheryl lived in Paris, Tuscany and Sligo for 25 years; she earned her doctorate in comparative literature at the Sorbonne and taught literature and phonetics. She now teaches writing at Michigan State University. Last year she published over a hundred poems in the U.S., Germany, India, Bangladesh, Yemen and Zimbabwe, and won third prize in the Singapore Poetry Contest for her poem on global warming. Her chapbook Flatman: Poems of Protest in the Trump Era is now available from Amazon and Goodreads.

Thanks

I cannot thank you,little cat with serious eyes,for your gift of a dead mouse.

I flee from remindersof killing. I am a vegan, and it wouldbe easier if you were too.

But then I would loseyour playfulness and pounce, and turnyou into a timid, nibbling rabbit.

I love you for those things,for your wish to feed me, and foryour love for me, strange as

I must appear to you: so huge,so hairless, so hopeless a hunter. I am thankfulfor what I cannot understand, this strangelove than can span species.

From Guest Contributor Cheryl Caesar

Cheryl lived in Paris, Tuscany and Sligo for 25 years; she earned her doctorate in comparative literature at the Sorbonne and taught literature and phonetics. She now teaches writing at Michigan State University. Last year she published over a hundred poems in the U.S., Germany, India, Bangladesh, Yemen, and Zimbabwe, and won third prize in the Singapore Poetry Contest for her poem on global warming. Her chapbook Flatman: Poems of Protest in the Trump Era is now available from Amazon and Goodreads.

Raking Leaves

Raking leaves

is an exercise in the good-enough.

You will never get them all.

You come to prize

the strong, steady stroke of the rake,

the appropriate armful that you lift

into the waiting wheelbarrow.

The maple leaves which from a distance

appear two-tone, red and silver,

reveal a soul-satisfying palette

from crimson to lavender.

A leaf falls in your hair and tickles your neck.

You cover the lily beds

with their winter blanket,

a gorgeous quilt

in five-pointed patchwork.

You’re no good at quilting, but it doesn’t matter.

Raking leaves is an object lesson

in Lamott’s “shitty first drafts.”

From Guest Contributor Cheryl Caesar

Cheryl lived in Paris, Tuscany and Sligo for 25 years; she earned her doctorate in comparative literature at the Sorbonne and taught literature and phonetics. She now teaches writing at Michigan State University. Last year she published over a hundred poems in the U.S., Germany, India, Bangladesh, Yemen and Zimbabwe, and won third prize in the Singapore Poetry Contest for her poem on global warming. Her chapbook Flatman: Poems of Protest in the Trump Era is now available from Amazon and Goodreads.