A Story In
100 Words
Literature in Tiny Bursts.
You are invited to the wonderful world of microfiction. Whether you’re a reader, a writer, or one of our future robot overlords, welcome! A Story In 100 Words is a community of literature enthusiasts no matter the length, but we have a special predilection for narratives exactly 100 words in length.
Stop doomscrolling and start fiction browsing.
These Dogs
are barking, she says, as she kicks off her scuffed dancing pumps and falls into the couch cushions. What a strange word: couch. Now, the television remote. Later, a Marie Callender’s pot pie. Turkey. In between now and later, a man pounds at the door—Beverly, he says. I know you’re there. Answer me. Thirty years ago, she would have. She would‘ve let him convince her to come back home, to try again. For the children, now grown. For him. Instead, she pours tea and peers between the blinds. She watches his breath condense, useless, and spill into the night.
From Guest Contributor Carrie Cook
Carrie received her MA in Creative Writing from Kansas State University and is currently living in Colorado. Her work has appeared in The Columbia Review, Midwestern Gothic, Menacing Hedge, and Bartleby Snopes.
Survivors
They live presently. Now they tear the soft meat from the bone, now they hear the twang of resistant tendons. The vibration of it. A chorus of crows. Scudding wings of moths that search for the darkness just beyond. In the pit is hunger. We exist, hands pasted to rifle stocks, glimmering gunmetal eyes, rattle-boned. They know family born of teeth, defined by the low moans of their communes. Their tongues hang together. Our hands hang separately, our nails scratching our own stomachs, our thighs, our faces. But we are all hungry. We will all ooze the same black ichor.From Guest Contributor Carrie Cook
Carrie received her MA in Creative Writing from Kansas State University and is currently living in Colorado. Her work has appeared in The Columbia Review, Midwestern Gothic, Menacing Hedge, and Bartleby Snopes.
Skin
In the weeks after her mother died, Pamela had no skin. Everything was surface—every twitching nerve, every gush of bile. When Creepy Carl told her to smile as he dropped off his rent check, her lips peeled back to the bone.
At home, she told Ben: I know about the girl you’ve been fucking for the last four months. Your intern. In our God damn bed.
Come on, baby, he said, it wasn’t like that.
But it was. She wouldn’t have her raw insides sheathed in lies. She slept in the guest room, on top of the blankets, oozing resentment.
From Guest Contributor Carrie Cook
Carrie received her MA in Creative Writing from Kansas State University and is currently living in Colorado. Her work has appeared in The Columbia Review, Midwestern Gothic, Menacing Hedge, and Bartleby Snopes.
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