A Story In

100 Words

Literature in Tiny Bursts.

You are invited to the wonderful world of microfiction. Whether you’re a reader, a writer, or one of our future robot overlords, welcome! A Story In 100 Words is a community of literature enthusiasts no matter the length, but we have a special predilection for narratives exactly 100 words in length.

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The Portrait

The Duke of Westland stared down from his portrait. Walter studied the painting, admiring the duke’s powdered wig and frilled cravat.

Walter’s eyes widened as the duke stepped out of the gilded frame and strode towards him, extending a bejeweled hand. Walter grasped the duke’s icy palm and noticed that the lavish rings now adorned his own fingers. Puzzled, he looked up and met his own gaze. His other self winked, turned, and left the room.

Walter called out and raised his hands but his glittering rings thrashed against the inside of the canvas, causing his powdered wig to slip.

From Guest Contributor Cate Vance

Cate Vance writes from the mountains of Montana where she is inspired by misty mornings, brilliant days, and starry nights. Her short fiction has been featured in Sky Island Journal.

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Exquisite

The naked model sits, head bent, arms and hands relaxing. Her beauty is undeniable with pure white skin and long toned legs.

The room is quiet. Everyone is concentrating on brushstrokes and creating a perfect painting, while my quick brush movements against the canvas are remarkable. The background is colorful and the lines of her body immaculate.

“Well done, Nicholas,” says the instructor and pats my shoulder.

Eyes are on me and coldness fills the room.

Ignoring the glares, I concentrate on the finishing touches.

Before me is an exquisite, brilliant image.

My love. The lady who stole my heart.

From Guest Contributor Lisa M. Scuderi-Burkimsher

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A Ravenous Canvas

Walking forever through corridors of art, that's the fate I sought. If I were doomed to resurrect, as everyone was, why not wander eternally around beauty?

But when I tried to reach The Metropolitan Museum, the apocalypse stopped me. Manhattan's zombies swarmed my car, buried it in dead flesh. I'm trapped.

Now they're a ravenous canvas, pressed against my windshield. Their faces are yellow papyrus; their spoiling blood and bile are rancid inks and pigments, their viscera are rotting oils. This is their dead aesthetic; their moans exhort me to join it.

I'll starve.

I'll rise.

I'll create art too.

From Guest Contributor Eric Robert Nolan

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I See

I paint you by numbers, capture your features one by one… from the fair Irish skin; to the coal-black hair; to the rich, ruby lips; and the fiery-, emerald-green eyes.

I reach for the palette of paint and thrust my brush like a mop into a bucket and swish it around. The color washes your face with only shades of grey. The numbers on the canvas do not add up. I am left only with a monotone portrait of shadow and sadness.

Betrayed, my grip clenches. I see, I know your colors. I see, I know your lack of them.

From Guest Contributor Keith Hoerner

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