A Story In

100 Words

Literature in Tiny Bursts.

You are invited to the wonderful world of microfiction. Whether you’re a reader, a writer, or one of our future robot overlords, welcome! A Story In 100 Words is a community of literature enthusiasts no matter the length, but we have a special predilection for narratives exactly 100 words in length.

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Safety In The North

We hug the coastline, the water lipping and lapping, squeezing us against scrub brush and pink granite boulders. Sophie stomps her feet in plops of seafoam eddying in the tide pools. We let her play. So much has been lost. But not this. Her innocence glinting in the sunlight, giggles clutching our heartbeats. We safeguard this last remnant, this singular, unsullied, untarnished, vestige. Otherwise, what is it all for? Trudging at night beneath ribbons of greenish-blue light, the auroras coxswaining us toward safety in the northern hemisphere. We press ahead. Agents two days behind at most. Our precious cargo intact. From Guest Contributor Karen Schauber

Karen’s flash fiction appears in over 100 international journals, magazines, and anthologies with nominations for the Pushcart Prize, Best Small Fictions, Best Microfiction and the Wigleaf Top 50. Schauber curates Vancouver Flash Fiction – an online resource hub, and in her spare time is a seasoned family therapist. Read her at: KarenSchauberCreative.weebly.com

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Sick World

It’s like a post-apocalyptic movie. A usually bustling city is eerily vacant. Essential supplies have come to include liquor, guns, and toilet paper. Who isn’t secretly embarrassed? Around midnight I take a puzzle apart just for the hell of it. The next morning my department holds a Zoom session on how to prevent cheating in online classes. Other professors mention they also have been having strange dreams. In mine, I’m eating Crown Fried Chicken on a bench while eyeballs the size of boulders roll across the grass and dirt, and a woman I recognize from TV weeps into her hands.

From Guest Contributor Howie Good

Howie Good is the author of What It Is and How to Use It (2019) from Grey Book Press, among other poetry collections.

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Forgiveness

She walked along the deserted beach, cold wet sand hard underfoot, leaving her well-formed arch, her heavy heel dug-in tight, her human track. She scanned the choppy grey ocean, a seagull skimming along ready to dive. Looking ahead, an outcropping of massive black boulders stumbled together into a makeshift Henry Moore sculpture. The solid blocks of granite, columnar or reclining, soft-edged or angular, were reminiscent of her mother. The stoic strength, the impermeability, the dense solid weight of judgement. She had framed her adult life accordingly, with a negative imperative: I will not be like my mother.​

From Guest Contributor Holiday Goldfarb

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