Parasitic Sea

A stillness descends on the empty beach. The children are asleep in cottages. How many of you stepped on shells and hurt yourselves? How many of you were stung by jellyfish?

A small light shines far away over the dark sea. It rushes faster than the waves, dashes across the beach, and dives deep into the scratched feet of the dreaming children. And it divides, multiplies, and devours.

The next morning, the children wake and run toward the sea. They leap into the waves and swim away.

It’s time to go home. Are your parents going to miss you, kids?

From Guest Contributor Natsumi Tanaka

Translated from Japanese by Toshiya Kamei

Natsumi Tanaka is a writer living in Kyoto, Japan. Her short stories have appeared in journals such as Anima Solaris, Kotori no kyuden, and Tanpen. She is the author of the short story collection Yumemiru ningyo no okoku (2017). Translations of her short fiction have appeared in Fanzine, Star 82 Review, and The William & Mary Review, among others.

Heart On Ice

I was driving like I always do, as if I were transporting a heart packed in ice for a patient in imminent danger of dying, when outside Springfield, Mass., a bird that was also in an exceptional hurry crashed into my windshield with the boom of a gunshot, startling me about as bad as I’ve ever been startled, but the strangest part was that there were no cracks in the glass, no blood splatter, no feathers caught in the wipers, nothing to see, just the greasy crayon colors of dusk smeared all around and the cold stretch of road ahead.

From Guest Contributor Howie Good

Howie is the author most recently of Stick Figure Opera: 99 100-word Prose Poems from Cajun Mutt Press. He co-edits the online journals Unbroken and UnLost.

Taking Chances

I held the charred remains of something dear to me. Last glowing sparks from the fire catapulted towards the night sky, disappearing upon impact.

“Have more wine,” my friends encouraged. “You’ll sleep easier.”

I took the bottle, poured a glassful. Considered my next move with every sip. What if this happens again? Can I take more defeat?

We sat at the scene of the blaze. The nearby forest receded into a thickening mist. I removed that which once was from my clasp and attached another to the end of my skewer.

Toasting marshmallows over a campfire need not be complicated.

From Guest Contributor Krystyna Fedosejevs

Krystyna is a writer of poetry, fiction, and creative nonfiction. She resides in Edmonton, Canada with her husband and stuffed animals and many friends.

Embers

He thinks he sees her again and he’s mesmerized by her perfection.

He watches her and remembers his perfect past; remembers what it was like for him all those many years ago when, returning home, he'd find the perfect woman there, smiling, standing beside the fireplace, close to the fire, waiting. He can’t always recall her name, but he remembers the fire and her smile; the perfectly soft glow, the welcoming warmth.

These are the benedictions of age, he thinks. Even when the fire burns low, there is memory and imagination; even in an empty room I am never alone.

From Guest Contributor Ron. Lavalette

Find Ron. Lavalette’s work at: EGGS OVER TOKYO

A Ravenous Canvas

Walking forever through corridors of art, that's the fate I sought. If I were doomed to resurrect, as everyone was, why not wander eternally around beauty?

But when I tried to reach The Metropolitan Museum, the apocalypse stopped me. Manhattan's zombies swarmed my car, buried it in dead flesh. I'm trapped.

Now they're a ravenous canvas, pressed against my windshield. Their faces are yellow papyrus; their spoiling blood and bile are rancid inks and pigments, their viscera are rotting oils. This is their dead aesthetic; their moans exhort me to join it.

I'll starve.

I'll rise.

I'll create art too.

From Guest Contributor Eric Robert Nolan

Dinner Time

Sam sat, crossed his hands over his chest, and sighed.

“Baked chicken, boiled potatoes, and string beans. Really, Mom?”

“You know the doctor wants you to eat healthy,” she answered, filling his dish.

Sam swallowed a piece of chicken and it was like a rock had hit his stomach. He missed the crispy taste of fried, juicy white meat.

“String bean pie for dessert,” he chuckled and noticed a hair on his dish.

Sam removed his hat and a clump of his hair fell on the table.

“Does this mean the radiation is working?”

His mother gasped at the sight.

From Guest Contributor Lisa M. Scuderi-Burkimsher

On The Train

Poof went my idea for a poem, off it charged into the common air. It could be anywhere on this train now, traveling up the coast. Maybe people are talking about it in the dining car, maybe the conductor’s thinking about it as he takes their order for dinner. It could be in the heart of the young marine from Camp Pendleton, a lieutenant, stationed there for three years. He’s on his way to San Francisco to see his girlfriend. He has something important to tell her, something that just came to him, while the sun set over the Pacific.

From Guest Contributor Linda Lowe

Linda's stories and poems have appeared in Outlook Springs, Crack the Spine, New Verse News, Star 82 Review, Indolent Books, A Story in 100 Words, and others.

21

My sister’s 21 years older. She’s 37. Often jokes I’m the milkman’s son.

Nancy calls me Saint Nick, says I’m too giving. Nicknames me dummkopf when I trip.

I love her energy, when she jokes about my clothing or love of Debussy. She’s an Elvis-loving newspaperwoman.

Yet, the banter lacks that natural rhythm, that give-and-take. We didn’t grow up playing or fighting together. But Nancy says age is arbitrary.

I wonder if she feels self-consciousness. Especially when she calls me little brother, accentuating the words.

I just banter. Call her sis. Joke that she’s my secret mother.

It’s almost believable.

From Guest Contributor Yash Seyedbagheri

Yash is a graduate of Colorado State University's MFA program in fiction. His work is forthcoming or has been published in journals such as 50 Word Stories, Silent Auctions, City. River. Tree. and Ariel Chart.

Mother

“Mother is upset,” a Wiradjuri tribal elder said. All heads nodded in agreement. Elders from the Ngungawal and Walgaulu tribes had traveled days to be at this meeting of Aboriginal peoples.

“Our sacred trees are gone,” he continued. “Our land is on fire; our mother is on fire.”

“She is hotter every year. More fires burn this year than ever,” a Ngungawal elder said. “We must appease our mother. We have perpetual grief, but the time is to focus on the mother, not us.”

Heads nodded.

Meeting was over and nothing was resolved. The elders returned to their burned-out bush.

From Guest Contributor NT Franklin

After A Painting By David Lynch

He said to me, “I am dying.” I said, “How is that my fault?” but sat down on the bed and held him and rocked him. Somewhere out there the lake was being strangled. I was frightened the fish would die, and that this would instigate the death row shuffle for everyone. The sound of endless wars in far-off places is still buzzing in my head. I stop, I look. The boy and the car are gone. It’s just crying and anger here, and farmers who make less than a dollar a day having an arm or leg blown off.

From Guest Contributor Howie Good

Howie is the author most recently of Stick Figure Opera: 99 100-word Prose Poems from Cajun Mutt Press. He co-edits the online journals Unbroken and UnLost.