The Greatest Show

We climbed down from our platforms and out of the ring, inhaling deeply of sawdust and popcorn, sweat and dung. We turned out the lights and broke down the tents, ropes biting into our palms. We watered the elephants and fed the lions; we waved at stragglers and kissed our new lovers goodbye. One last campfire, one last harmonica bray, one last cloud of dust kicked up by our dancing feet. One last paycheck pressed into our hands. No train tomorrow. No makeup, no spangled costumes. We’ll tip our heads back, way back, and spread our arms for the net.

From Guest Contributor Tara Campbell

Tara is a writer, teacher, Kimbilio Fellow, and fiction editor at Barrelhouse. Previous publication credits include SmokeLong Quarterly, Masters Review, Jellyfish Review, Booth, and Strange Horizons. She's the author of a novel, TreeVolution, and three collections: Circe's Bicycle, Midnight at the Organporium, and Political AF: A Rage Collection.

Wild Geese

Geese rise from campus soccer field, into falling evening. Wings flutter in unison. No stragglers.

You should be on the way home. But you watch, transfixed, weight of homework, aloneness sliding from consciousness.

The geese honk, harsh, soothing, moon on their wings. You like to think it’s joy, that they sense the vastness of unfettered space. They don’t give a fuck about the observers and voyeurs below.

You wish you could join. Fly, part of a team. They fly farther and farther, still calling. Don’t look behind.

All too soon, night engulfs them. You stride home, feet heavy, treading constraint.

From Guest Contributor Yash Seyedbagheri.

Yash is a graduate of Colorado State University's MFA program in fiction. A recipient of two Honorable Mentions from Glimmer Train, his story, "Strangers," was nominated for The Best Small Fictions. His work is forthcoming or has been published in Microfiction Monday, Unstamatic, Maudlin House, Door Is A Jar Magazine, and Ariel Chart, among others.