Snow

The town plow thunders by with its single headlight. You listen with your eyes squeezed shut, imagining the snow that touches everything—sliding under your mudroom door—powder dusting the floor. You’re warm, curled up in an igloo of quilts; yet, your nose feels cold. You know the woodstove burned out after the late news—only a lingering scent of smoke drifts up the backstairs. You wake, uncertain of the hour’s shade of blue, and look up at the white ceiling where a teensy black speck of a spider scales a silver thread, finding its way in this uncompromising dark.

M.J. Iuppa

Calendar Sex

Cellos make little nicks in the dark and we breathe together. The afternoon was a failure. This plain gesture, togetherness, makes quick use of industrious forgetfulness. I cannot keep you behind this gate beyond the third movement. We mean to create more than one monologue to accompany the flutist. The children upstairs, our occupancy momentarily set. I position your fingers behind my neck as talisman for strings. The tent is down. This igloo explodes into every shard of routine that has, before this moment, set what stands for you and for me, aflame, sparks falling into pockets, to the ground.

From Guest Contributor Kelli Allen

Kelli Allen’s work has appeared in numerous journals and anthologies in the US and internationally. She is a four-time Pushcart Prize nominee and has won awards for her poetry, prose, and scholarly work. She served as Managing Editor of Natural Bridge and holds an MFA from the University of Missouri St. Louis. She is the director of the River Styx Hungry Young Poets Series and founded the Graduate Writers Reading Series for UMSL. She is currently a Professor of Humanities and Creative Writing at Lindenwood University. Allen is the author of two chapbooks and one flash fiction collection. Her full-length poetry collection, Otherwise, Soft White Ash, arrived from John Gosslee Books in 2012 and was nominated for the Pulitzer Prize.