The Chopping Block

The cabbage on the chopping block was a vivid royal purple. She couldn’t figure out why it was called red cabbage. It certainly looked purple, even after it was cooked. Her sheepsfoot knife was thinly slicing the quartered pieces with almost no effort. Good knives were worth every dollar spent on them, she mused.

She thought ahead: I still need to chop the onions and the Granny Smith apples. I hope I have apple cider vinegar. This dish will go perfectly with roasted pork.

She looked down and noticed blood on the board. Was that the tip of her finger?

From Guest Contributor Janice Siderius

A Letter After “N” On The Last Day Before Treatment

You are the hair against my belly, left too long in slick cooling foam. You are the pull of my arm as it leans closer to ground than shoulder. You are the gelatin near my breast where I am found waiting, one more time. You are sorted beyond shape, into one scent I'll accept, one I push heavily against, a reminder of reverse birthing, of what inside might mean if wrapped, warped by artifice and vivid yellows. You are this sweetness I take instead of a lesson—a cabbage of greens kept to hide the reds left in your leaving.

From Guest Contributor, Kelli Allen

Kelli Allen’s work has appeared in numerous journals and anthologies in the US and internationally. She served as Managing Editor of Natural Bridge and holds an MFA from the University of Missouri. She is currently a Professor of English and Creative Writing at Lindenwood University. Allen gives readings and teaches workshops throughout the US. Her full-length poetry collection, Otherwise, Soft White Ash, from John Gosslee Books (2012) was nominated for the Pulitzer Prize.