The Death And Life Of The Avant-Garde

When Franz K. was taken off the train in the middle of the night, he came to on a street of futuristic glass towers that, from an architectural perspective, were already passé. “What are those buildings?” he asked his keeper, a tall, thin, priestly figure who emanated an aura of gentle authority. “You’ll find out,” the keeper said, smiling. He never did. By the time the sun rose, he was tied to a post, watching in terror the firing squad assemble. It was sort of like avant-garde cinema where a series of incidents doesn’t necessarily add up to a plot.

From Guest Contributor Howie Good

Howie Good is the author of more than a dozen poetry collections, including most recently Gunmetal Sky (Thirty West Publishing) and The Bad News First (Kung Fu Treachery Press).

Dead Dreams

If it wasn’t for lack of encouragement growing up, I might have been an avant-garde artist, a Duchamp or a Warhol, famous for a star-like crack in a windshield, stick figures drawn on toilet paper, floors overflowing with blood. I carry a lot of photos in my phone. The only words anyone ever truly needs have all been cannibalized for parts. Still, when I announce, “I’m going to kill myself,” I don’t care what the police say, you better take it seriously. Saucer-eyed girls have been walking for a while now very close to a volcano with a beautiful name.From Guest Contributor Howie Good

Howie is the author most recently of Stick Figure Opera: 99 100-word Prose Poems from Cajun Mutt Press. He co-edits the online journals Unbroken and UnLost.