The Death And Life Of The Avant-Garde

When Franz K. was taken off the train in the middle of the night, he came to on a street of futuristic glass towers that, from an architectural perspective, were already passé. “What are those buildings?” he asked his keeper, a tall, thin, priestly figure who emanated an aura of gentle authority. “You’ll find out,” the keeper said, smiling. He never did. By the time the sun rose, he was tied to a post, watching in terror the firing squad assemble. It was sort of like avant-garde cinema where a series of incidents doesn’t necessarily add up to a plot.

From Guest Contributor Howie Good

Howie Good is the author of more than a dozen poetry collections, including most recently Gunmetal Sky (Thirty West Publishing) and The Bad News First (Kung Fu Treachery Press).

Disruptions

People, she thought, were like gadgets. They could be tucked away neatly into white boxes, each waiting to fulfill their role. Friends, family, coworkers—they each had their own purpose in her life, and she never let them stray. Few coworkers ever became friends, and even fewer friends became family. Nobody crossed the inner circles of her life without her permission. And then, there was him. The glitter explosion that disrupted her perfect life, bringing just a little mess with him, wherever he went. She now carried that intoxicating aura as it radiated from her chest in amber waves: Bull’s-eye.

From Guest Contributor Kelsey Swancott

Kelsey is a senior majoring in English with a minor in Visual Arts and Spanish while also being involved in the campus literary magazine Angles. She plans on furthering her education by getting her masters degree in English as well. Her work has been published in Entropy Squared, The Dribble Drabble Review’s Spring 2021 issue, and Otoliths in February 2021.