Accompaniment

Almost every morningit’s the same old ambient toss-up:Susumu Yokota or Lazybatusu.

Some days, neither flips his switch;some days: nothing but nothing. Silence.(He neither needs nor wants either one.)

Some days—especially days he’s up early—he just sits and types, humming his own theme:he calls it Lazysusubatsumu Yakotoma.

He hums and writes and writes againuntil everything comes out right,or his fingers start to bleed.

Even then, though,intent on his missionhe encourages the hemorrhage.

He’s stumbled onto something good;he’s just got to keep at ituntil it sings on its own.From Guest Contributor Ron. Lavalette

Ron.’s debut chapbook, Fallen Away (Finishing Line Press) is now available at all standard outlets. Many of his published works can be found at EGGS OVER TOKYO.

Coda

He followed the familiar tune through the fog: strings, horns, that impossibly sweet voice. The gloom lifted to reveal the girl, singing her heart out under the spotlight, invisible orchestra in accompaniment. He cried tears of joy, felt love, and also something not quite love.

"You sing it to me every night in my mind. But it sounds so much clearer now. Why?"

She smiled sadly. "Can't you guess?"

*

"Is he dead?" The reporter watched the killer's body inside the execution chamber.

"Yes."

He peered closer. "What does he have to smile about? He murdered that girl right on stage!"

From Guest Contributor Clay Waters